A number of the artists I follow have made versions of their video installation work available on YouTube or other video-enabled websites. I find it helpful in terms of analyzing content and theme, but I find that the online versions don’t help me consider the aesthetics of the work. I also have to admit to sometimes finding these kinds of pieces make boring viewing when I’m online. Maybe it’s the cluttered YouTube screen and the thumbnails of other videos that promise to be the “cutest puppy video ever.” I was reminded once again that seeing video work in person is vastly different than viewing it on a computer screen when I was at the opening for the exhibition It’s Complicated – Art about Home. The exhibition features work by 9 Native American/First Nations artists on the theme of “home.” The artist I’m writing about here is Kade Twist (Cherokee). I’ve previously written about work he has done as part of the artists’ collective Postcommodity.
Kade Twist’s two-channel video installation piece renewed my appreciation of seeing video works in person. Twist’s piece in the exhibition projects onto two walls set at 90 degrees, with the projected images meeting up in the corner. The full title of the work is Our Land, Your Imagination: The Judeo-Christian Western Scientific World View. The lefthand screen has a series of videos of women singing Carpenter’s songs (We’ve Only Just Begun, Close to You, I Need to be in Love, I Won’t Last a Day Without You, Every Sha La La La), mostly in karaoke bars. The right hand screen has video clips of traffic, a hot air balloon making a messy landing in a suburban tract-home neighborhood, a sandstorm approaching a similar neighborhood, a walk-through of an empty, foreclosed-upon house, and a long shot of palm trees against a clear sky. It’s hard to watch the videos of the singers because they are so large and the camera is sometimes uncomfortably close. I noticed that I focused more closely on the landscape-type shots on the righthand wall. The songs are about a search for fullfillment, love, belonging. The videos featuring identical homes give an impression of loneliness and emptiness, particularly the walk-through shots inside the foreclosed house. The piece stands well on its own, but knowing a bit more about the origins of the clips adds additional layers.
Essentially, the artist curated video clips shared by YouTube posters who identified their location as Phoenix, Arizona (where the artist also lives and works). The idea is that looking at video clips posted by people who live in the same town might give us an idea about that particular community. Twist hand-picked these video clips. They aren’t random, so there is a kind of postmodern narrative about place and yearning that comes from watching the piece in its entirety. Ultimately, it is a sad story of longing, emptiness, the search for connection/community, and the loss of identity in the face of assembly-line suburban living, where everything is a translplant and nothing belongs. I think what bothers me most about the piece – in a good way – is wondering why on earth some of these clips were posted on YouTube to begin with. Why several minutes of palm trees against a clear sky? Nothing happens! The camera doesn’t move! It’s boring… and puzzling. Why, oh why, was this clip shared with the world via YouTube? Most of the karaoke singers seem so desperately sad, too, that I wonder why they really posted these songs on YouTube. Trying to get famous? Trying to send a pointed message to an ex-lover? Or did some friend post the video with the intention of really only sharing it in a small circle of people. Do any of the originators of these videos know that their postings have been incorporated into an artwork over a thousand miles away? Does that even matter?
You can see Kade Twist’s video installation Our Land, Your Imagination at The Evergreen Gallery on the Olympia, WA campus of The Evergreen State College. The Gallery is on the main floor of the Library Building and is open Mon-Thurs 11:00 a.m. – 4:00 pm. You can view Twist’s work below or on Kade Twist’s website … but it’s definitely not the same as seeing it in person.
P.S. I have a class of undergraduate students with assignments related to this exhibition. It has really affected what I feel free to say about the work here on the blog out of fear that I’ll get them quoting me instead of thinking for themselves! Some of them are working on a podcast about this piece. I will post a link to their podcast when it’s finished in two weeks!